Britney Spears’ handwriting is round, which reveals a childish, soft manner. Her middle zone letters (a, c, e, etc.) predominate, she is totally in the here and now. What are important to her are everyday matters. Her writing pressure is light, indicating a general lack of resistance. This can get her into trouble, as her ‘inner strength’ is weak. Her low upper zones (A1, A2) point to a practical, non-philosophical view of life.
Ear-minded people frequently spell poorly in English. The language has many words that sound alike but spelled differently, and others that are spelled alike but are pronounced differently. Such persons tend to spell words phonetically, but in English, this is frequently misspelling. Such people are likely to omit punctuation marks-comma, colon and exclamation point. Notice two misspelled words in this short note (B1, B2). Ear minded people are often very successful when selling to an audience. Aside from all of her other winning traits, Britney Spears is instinctively a musician.
Shakira’s handwriting has no beginning strokes-at all-she is direct, straightforward. Her upright slant attests to a cool, independent character. Her concentration is excellent (small middle zone letters, a,c,e, etc.) She uses both logic and intuition when coming to decisions—letters are sometimes connected, sometimes not. Shakira’s huge signature is a self-portrait, she feels great about herself!—the underlining enhances this.
Justin Timberlake’s handwriting is only with capital letters-this can be a form of a learning disorder. People who write in this fashion are uneasy about revealing their personal lives…expressing their feelings in public is uncommon. Because capitals do not hook up between letters…this spells an aversion in relating to others on a personal level. Self-centeredness is supreme. His large signature (compared to the body of his writing) reflects soaring self-worth.
Katy Perry’s handwriting spells a prankster, go-getting personality. Her ballooned ‘t’ signifies susceptibility to flattery and a very sensitive nature. Her massive under length (notice her ‘y’ in ‘Perry’) indicates great (and perhaps somewhat unusual) biological needs. When the ‘t’ bar is comparatively heavier than the down strokes (the opposite of the norm), as in Katy Perry’s handwriting, the father though perhaps a man of intellectual stature may be hated.
Miley Cyrus’s handwriting shows amazing tempo. The style and pressure is vulgar and rebellious.
The heart shape that she ‘dots’ her i with, admittedly warm and cute, confirms immaturity, and a desire for attention. The gestalt of the handwriting is shouting out that she must be different…and she is!
Oprah Winfrey’s handwriting reveals an extremely warm and giving person…Her very right slant and rightward extending terminals testify to this. She feels great about herself-and she should! Her capital I’s (self-image) are relatively large compared to the rest of the writing. She is definitely a people’s person, her letters, words and lines are all closely knit.
The way one signs his first name indicates what the writer thinks of himself. The way he signs his surname hints at his feeling toward his family particularly his father, since the surname does represent him. When both names are equal in size, he demonstrates an equal regard for himself as an individual and for his family. When there is a variation, the writer is portraying how he feels about his relationship with his family. (Correspondingly, a wife, when signing her first name and married last name, often demonstrates her opinion of her husband)
It should be pointed out that this has nothing to do with love…it’s the regard the person has for oneself in relationship to the other person. Oprah’s first name is written considerably larger than Winfrey…an indication that her regard for self is higher than for Mr. Winfrey.
Kate Middleton’s handwriting is uncomplicated; there are no beginning strokes. She is straight forward and direct. Her rightward writing slant indicates genuine warmth and approachability.
Her simply written capital I’s (reflecting self-image) are unadorned… (This is perhaps unexpected), her Royal Highness, the Duchess of Cambridge has not been carried away to pompousness. The angles reflect some rigidity, she is not a pushover. Her perfectly aligned left margins indicate a well-organized character.
50 Cent’s handwriting is angular, heavily pressured and has an inturned ‘t’ bar cutting into his signature (ego). This tells of violence, aggression, frustration and suicidal tendencies.
Tom Cruise’s handwriting is very right slanted-plus his ovals are open at the top…He is a very warm, open and talkative personality—definitely relates to others…yet how?
We start to write at the left and gradually proceed to the right; consequently, what remains on the left, what we have left behind, generally symbolizes our past (home), our infancy and childhood, and — because she was our home — our mother. It also indicates what we turn our back on: obscure, cloudy recesses of time; the sinister. The right, then, is the direction in which we all hasten and is therefore the common goal. There, on the right, is the future. The right side also stands for our father, and, in a woman’s script, for the husband and father of her children.
In the following sample:
The upstroke aims at going from a lower zone to a higher one. This initial diagonal stroke has been found to appear in the script of argumentative writers. Part of this meaning lies in the stroke’s slantedness. Since it comes from the emotional realm and heads into the conscious, it must be assumed that the writer wishes to air a problem of emotional origin. It is this origin that has earned the writer a reputation for being argumentative. We tend to be stubborn, excited, unwilling to listen, when our emotions are deeply involved. Starting from the lower zone a right-slanted upstroke therefore always indicates a rather irrational argumentativeness.
This style of writing is replete in Tom Cruise’s script (see arrows).
Tom Cruise’s very warm, open, talkative and argumentativeness often results into a controlling relationship.