Tom Cruise

Tom Cruise



Tom Cruise’s handwriting is very right slanted-plus his ovals are open at the top…He is a very warm, open and talkative personality—definitely relates to others…yet how? 
We start to write at the left and gradually proceed to the right; consequently, what remains on the left, what we have left behind, generally symbolizes our past (home), our infancy and childhood, and — because she was our home — our mother. It also indicates what we turn our back on: obscure, cloudy recesses of time; the sinister. The right, then, is the direction in which we all hasten and is therefore the common goal. There, on the right, is the future. The right side also stands for our father, and, in a woman’s script, for the husband and father of her children.

In the following sample:


The upstroke aims at going from a lower zone to a higher one. This initial diagonal stroke has been found to appear in the script of argumentative writers. Part of this meaning lies in the stroke’s slantedness. Since it comes from the emotional realm and heads into the conscious, it must be assumed that the writer wishes to air a problem of emotional origin. It is this origin that has earned the writer a reputation for being argumentative. We tend to be stubborn, excited, unwilling to listen, when our emotions are deeply involved. Starting from the lower zone a right-slanted upstroke therefore always indicates a rather irrational argumentativeness.
This style of writing is replete in Tom Cruise’s script (see arrows).
Tom Cruise’s very warm, open, talkative and argumentativeness often results into a controlling relationship. 


Jennifer Lopez

Jennifer Lopez




Jennifer Lopez’s handwriting comprises under length loops that are disproportionately larger than the upper loops. This is commonly found in great dancers. She is very keen with details as both dots are directly above. Her optimism is genuine as the script rises as it proceeds. Her large signature betokens great self-worth.

Angelina Jolie and Brad Pitt

Let’s look at Angelina Jolie and Brad Pitt as a couple:

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Although Angelina’s handwriting is upright, indicating an independent personality, Brad’s leans slightly leftward. She is the one giving emotionally to him. In spite of their great charitable contributions, which are highly praiseworthy, Angelina caters to Brad’s needs…not the reverse.
His ‘he mannish’ strength and character attribute to this bond, as long as Angelina approves.

Brad Pitt

Brad Pitt



Brad Pitt’s handwriting contains only capital letters. People who write this way are uncomfortable about revealing their personal lives…expressing their emotions in public is rare. Because capitals do not connect between letters…this spells a dislike in relating to others on a personal level. Egotism is paramount. 
Many of the bars on the t’s and E’s veer upward…this indicates a desire to (constantly) better one’s state of affairs. The gestalt of the writing screams confidence and maturity. He’s strong, and intelligent.


Angelina Jolie graphology

Angelina Jolie



Angelina Jolie’s handwriting has end strokes that extend rightward. Her nature is to give to the other person. Her open oval letters (a, o) reflect an honest, open character. No starting strokes suggest that she is direct, straight to the point. Her small middle zone letters reveal a high level of intelligence and good concentration. Her long t bars show great determination and goal orientation. Her thinning out of letters betokens a diplomatic nature. Her upright script means reserve. Yes, she is honest and open, yet she only reveals what she wants the other person to know.

Kim Kardashian

Kim Kardashian




Kim Kardashian’s handwriting looks furious, untamed and fake…it has tremendous rhythm.
The long and heavy down strokes (on both K’s) convey an ‘I don’t care what anyone thinks’ attitude. No dotted i’s show that she prefers to get the big picture and perhaps later get a hold of the details. All of her oval letters are closed —one who does not reveal about her personal life too much—unless very close with the other person; additionally, this type of handwriting, round and slow (arcade) reflects the writer who often puts on a façade.

Michael Jackson

Michael Jackson



Michael Jackson’s handwriting is complex. There is a massive amount of bounce in his script, revealing enormous energy…the writing is childlike…yet very heavy and muddy. Many angular forms are noted…this type of writing is all too often found in abusive personalities. In most instances, the writers themselves were the victims of cruelty. One of the basic tenets in graphology, handwriting analysis, is the base line. The norm is to write straight lines. When the lines bob and weave, going up and down, an unsteady, unpredictable personality is present…heavy mood swings have made their mark. Michael Jackson’s handwriting reflects these traits.



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Madonna’s handwriting and signature are quite similar. Her in and out are parallel…she is frank and direct. Her heavy pressure tells of a strong and motivated character. She writes her personal pronoun I (PPI) with an incomplete inward return stroke. Such a PPI indicates some type of curtailed association with her father. Her Greek E’s reveal intelligence.

JK Rowling

J.K. Rowling

JK Rowling

JK Rowling2

J.K. Rowling’s handwriting is brilliant. Anyone wanting to learn handwriting analysis should observe her vivid script.

Look at the word ‘of’ (first line) in J.K. Rowling’s handwriting. Not only does she connect the ‘o’ in the upper zone-instead of the norm-from the middle zone-already indicative of superior intellect, the ‘f’ is stripped of its return stroke. This ‘bare minimum’ of writing, just the essential, as long as it is readable as the correct letter, is always found in brilliant writers. An overall glance at her unique style of writing testifies: this personality is original.

Barack Obama

Former President Barack Obama



Barack Obama’s handwriting stands out. You don’t need to learn graphology for this observation.

President Obama’s handwriting and huge signature are eye-catching. Graphologically speaking, this reflects a tremendous desire to be the center of attention. The rightward extensions at the end of his first and last names (A1, A2) are like a self-portrait showing that there is more to him than just a name.A small middle zone (B1, B2) in his John Hancock represents strong powers of concentration. People who have small middle-zone letters (a, c, e and any letter that does not have an upper or lower loop), possess great proficiency in doing work, requiring attention to detail. Many scientists, Einstein among them, have very small or even microscopic middle-zone letters.

These lines are also written in a wavy fashion, without distinct shape. This shows changeability. The diplomat, who must often evade ticklish situations and not commit to a particular course of action, writes in this manner. Wavy-lined writing also denotes versatility.

There are no beginning strokes in Obama’s signature (see C). This signifies someone who gets right down to the point without commotion. It is the handwriting of the mature individual.

His writing has much rhythm, charm, pressure and bounce. Combined with the openness on top of the ‘a’ (see D), which indicates fluency, the Illinois senator radiates self-confidence and energy and is a quick-witted speaker.

Disproportionately heavy pressure is placed upon the horizontal stroke (E1), as the vertical stroke (E2) is written comparatively more lightly. The reverse is the norm. Writing in a downward direction predominantly employs the flexor muscles, whereas in a rightward direction, the extensor muscles are primarily used. The flexor muscles are stronger than the extensors, normally producing heavier pressure.

A heavier horizontal than vertical axis indicates that the mother is the actively domineering or aggressive head of the family; the father remains relatively weak and ineffectual, though perhaps a man of intellectual stature, or he may be hated, dead or absent. This handwriting characteristic indicates a child who feels neglected or overpowered by the mother, depending on whether her love is lacking or overwhelming.

Typically writers who put most of their pressure in the horizontal axis cannot conceive of their own limitations – nor can they stop ‘making the best of themselves’ (overcompensation).

The way a man signs his first name reveals what the writer thinks of himself. The way he signs his surname hints at his feeling toward his family – particularly his father, since the surname represents him. The capital letter of Obama is written considerably smaller than the capital of Barack, an indication of hostility toward his father.

How one learns to write and how one’s writing varies inform the graphologist as to what is distinctive about the writer. A script cannot be classified as a mere variation when the writer invents a unique form. This has the utmost significance when constructed in one’s signature. This is a symbolic, and usually subconscious, self-evaluation.

Obama writes the capital letter of his surname as a circle and bisects it (F). The circle is the symbol for wholeness. Although in mathematics two halves equal a whole, when one feels emotionally split into two parts, incompleteness and negativity emerge. One who has not resolved heavy personal issues may, albeit subconsciously, not be completely objective when under pressure.